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Adobe Photoshop Elements 9: Maximum Performance: Unleash the by Mark Galer M.Ed., Abhijit Chattaraj PDF

By Mark Galer M.Ed., Abhijit Chattaraj

ISBN-10: 0240522427

ISBN-13: 9780240522425

Permit Mark Galer advisor you through the most powerful photograph enhancing instruments and strategies that parts has to offer! A unique cominbtion of step by step tasks, motion picture tutorials and pattern images will have you ever developing gorgeous photographs very quickly in any respect. no matter if you need to increase your photographs for optimum impact, optimize your pictures for excellent print caliber, or growing outstanding, seamless montages, greatest functionality provide you with the abilities and knowledge to create specialist caliber effects, permitting you get greatest functionality from this credits crunch licensed software program. The package deal is done with an astonishingly supportive web site jam-packed with over 7 hours of motion picture tutorials, a hundred+ pattern photographs, multimedia content material and inventory images in addition to computerized activities to get much more out of the software.* Get Photoshop-quality effects with Elements-priced software program * Create beautiful photos utilizing strong, little-known options * significant other site packed choked with extra content material; hours of instructional videos, instruction photos and providing you with much more content material to teach you ways to push your talents to the restrict!

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44 Project 2: Basic Retouching 14. Gradients applied to smooth continuous tones can cause banding (visible steps of tone) in the resulting image. The banding, if present, can be reduced by applying noise to the gradient layer. Make sure the image is selected rather than the mask (click on it to select it) and then go to Filter > Noise > Add Noise. Add 2% Noise and check the Monochromatic option. 15. Add an additional gradient to the bottom of the image (create a new layer, set the mode to multiply, sample the color and drag a gradient from the bottom of the image).

Highlight recovery As discussed previously there are two workflows that can be employed for recovering highlight detail. The first option we looked at, where we lowered the exposure and increased the brightness, usually gives superior results to the single Recovery slider option. As we can observe in the examples above, the first option gives slightly better midtone contrast with slightly improved highlight detail. This workflow, however, is usually only superior when working with images that have the detail from the dynamic range headroom that Raw files possess.

Note > You will notice that no matter how far you move the Fill Light slider to the right you will never be able to make the Shadow clipping warning triangle turn black. The clipping warning will remain blue from the time the slider is moved beyond +20, indicating that the blue channel will remain clipped no matter how far the slider is moved. You will, however, notice that there is no blue clipping warning in the preview image itself. The blue channel is not being clipped because of how dark the shadow tones are but because of how saturated or vibrant some of the leaves are in the background behind the motorcycle.

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Adobe Photoshop Elements 9: Maximum Performance: Unleash the hidden performance of Elements by Mark Galer M.Ed., Abhijit Chattaraj


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