By Georgia L. Gorham
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Extra resources for A treasury of charted designs for needleworkers: 141 motifs including birds, flowers, animals, toys, etc
70, No. o needle. The tensions medium, not loose. It is the arrangement and shape of the open- Hedebo work, and then it that make it over to it in the make so at- % consists of lace When Where there are only single lines to define the and crescents, stitches are put in. arrangement, with well chosen stitches for each. a good distance either side. There are spaces, the cording artistic is the bars are finished cord on squares, triangles, ovals, circles, hearts, leaves an bars will be required at inch apart, which generally.
Figure 30 2 First Openwork As soon as you have obtained some control over the movement of the embroidery frame and understand how to carry it skilfully to the precise point Stitches through the machine, or from right to If the work be moved you may undertake to practice your openwork stitches. Of course one cannot A even pretend that the stitches will exactly cor- respond to the measure of your desire at first. That will come later, without your realizing it. For the present it will be enough to know how to carry the embroidery hoop very close to the spot which the needle should enter.
Until it I A cord beginning at a B C and those following. " This manner (See Square s(|uare. another square the points of which should of using the darn- they will stand joined together. V), sides. Carry other lines of stitching coming which to be secured at the centre of the two A pass on to C, again liack to the starting point A ; thence D and from there start other spikes tlie same as the former ones. After reaching D go up to E again, coming back to finish at A. to from half of one side of the square to the divid- ing line and from this to the other half (B).
A treasury of charted designs for needleworkers: 141 motifs including birds, flowers, animals, toys, etc by Georgia L. Gorham